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Focus: Post/Production Lightworks from Editshare By David Hague Over the last few years, we have been literally bombarded with video editing packages (NLEs) from all sides. The stalwarts that have been around seemingly for ever such as Adobe's Premiere Pro, Grass Valley EDIUS, AVID products, Final Cut from Apple and Vegas Pro are in that mix and classified as "pro" products, while offerings from Corel, Pinnacle, MAGIX and others have been more aimed at the consumer market. Among all of these, a program that has somewhat been bypassed is Lightworks - now up to version 14 and in its 25th year! ...Read More »
Focus: Post/Production Vegas Movie Studio Platinum By David Hague The familiar light grey facade of the Vegas family has been changed to a black motif in Vegas Movie Studio Platinum (and I suspect this will flow through to Vegas Pro as well. All the kids are doing it!) that is not unattractive. In fact, the whole interface has been made over and somehow looks cleaner and more businesslike. Text descriptions and icons are sharp and clear and if there is any criticism, you may have to change your monitor's contrast a little as on my Dell 27 XPS All-in-One, the vertical lines in the timeline were quite faint. In the past if someone suggested you could get probably 85% of the power of Premiere and After Effects together in a package that sells for under a hundred bucks, you'd think they were barking mad and aiming to be the Pres of the USA perhaps! ...Read More »
Focus: Post/Production Resolve 12.5 By David Hague Over the years, I have used many, many different video editors - Adobe Premiere 4.2 was probably my first NLE, followed by a long stint with Sony (now MAGIX) Vegas and flutters with AVID, EDIUS, one called Speed Razor and of course I have reviewed just about every package our there over the last 20 odd years costing from hundreds to many thousands of dollars. So, when I am told that a full on, top featured package as used by the Hollywood heavyweights is available for free, of course my ears prick up just a little and I want to know more. Is it so complex that I won't be able to grasp its workflow? Or does it require so much computer horsepower my modest Dell XPS 2710 all-in-one won't drive it? Perhaps the claims are overblown? ...Read More »
Focus: Post/Production Pinnacle Studio 18 New Tools. More Tools. Better Editorial
By Ko Maruyama Pinnacle has been around for a long time, and, as the version number implies, Pinnacle Studio has undergone several changes since it was first launched. Pinnacle Studio 18 is a robust consumer editoral system for anyone who is interested in getting into video editing. Moreover, it contains other tools to help create and publish your editorial content. ...Read More »
Focus: Post/Production Grass Valley EDIUS version 7 Along with AVID Composer, Sony Vegas Pro 12, Adobe Premiere Pro CC and FCP, EDIUS 7 delivers at the Big End of Video Editing
By David Hague Rather than adding any drastically radical major new enhancements to version 6.5, version 7 instead provides improvements to existing functionality taking advantage of the newer processors letting you work in real time in not only an editing workflow, but also transcoding between 4K, HD and SD resolutions including aspect ratio changes and frame rates. Improvements have to been made in the handling of large numbers of still image files including JPG, TGA and DPX. ...Read More »
Focus: Post/Production Sorenson Squeeze 9 A Great Product Just Gets Better (and Easier!)
By David Hague For as long as I have been shooting and editing video, there has been a version of Sorenson Squeeze available. Quite simply, Squeeze has always been the premiere transcoding utility used by professionals. It is simple to use, effective, fast and covers almost every known codec and format type available. Squeeze 9 is the latest version of this venerable product, and while certainly not an inexpensive package, with pricing ranging from USD$799 to an eye watering $1999 for the server version, if you are a professional in the video game, it is an almost indispensable item to have in your toolbox. ...Read More »
Focus: Post/Production Using Prodrenalin To Save Your Video! Remove fisheye, stabilize, fix noise effects and other distortions
By David Hague If you are the proud owner of a GoPro (or similar such as the Sony Action Cam or the Kaiser Baas Sports Cam) you'll be all too familiar with a few problems. Not the least of these is the sheer amount of camera shake followed by distorted footage due to the 'rolling shutter' effect of these cameras. Also in the equation is fish eye distortion, and who hasn't missed that the camera wasn't exactly level when shooting? Or you need to flip video 180 degrees as the camera could only be mounted upside down. This is where ProDad Prodrenalin comes in. ...Read More »
Focus: Post/Production Bluff Titler With this you could re-create almost anything you have seen as opening and closing credits for TV
By David Hague Creating titles is something of an art and why there is a separate team usually making them. If you look at the credits of a TV show or film, you'll quite often see a completely different company credited for titles. Yes, there are businesses that JUST make titles and opening/closing sequences. Most video editing packages can do titles do some degree or other. Some are exceptionally good, and some are nauseatingly bad. Thankfully Bluff Titler exists to fill in the gaps. ...Read More »
Focus: Post/Production Artbeats Driving Plates For those needing a West Coast setting there's bound to a shot that will make your project a success
By Stephen Schleicher Problem: Your project has a scene where two characters are driving in a car and having a discussion. You don't have the budget to tow a car around town, and you certainly don't want to risk damaging your camera by attaching it to a moving vehicle and driving on a busy street. Solution? Artbeats Driving Video! ...Read More »
Focus: Consumer Electronics The JVC GC-PX100 Camcorder I love this camcorder - it is truly a step forward in design and has been carefully thought out towards its intended market
By David Hague Every once in a while, a piece of equipment comes out from a vendor that grabs you by the throat and gives you a shake as it yells, "Look at me!". The new JVC GC-PX100 is such a beast. In terms of camcorders, the GC-PX100 is quite different; the shape is different, access to controls is different and even some functionality is different. ...Read More »
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